Sonntag, 29. Juli 2012

Typoholic


I have the honor to be featured in the wonderful book "Typoholic". The publisher "viction:ary" presents part of my work on 6 pages. My letters can be seen next to a number of excellent pieces of work from top creatives that makes this book a hub for inspiration and well worth a look. Available here and in good book stores.


Mittwoch, 16. Mai 2012

A Pulse


The "Evolution of Type" goes mechanical. This time, instead of performing letter surgery, I simulate the heartbeat of a letter. Exhibit "A Pulse" consists of a plywood case, an electric motor powered by a rechargeable 12 V battery, some gears and an overall latex cover. The tricky part was the precise installment of the push rod. No need to do do this but I just had to paint the heart in red. See the project in my Behance portfolio.








Montag, 2. April 2012

Exhibits 15, 18, 21


After a while of widening the "Evolution" with a couple of experiments in sculpting, I decided to go back to the roots with these three exhibits. D, L and U are three steps further towards the full alphabet. To see the full range up until now visit my Behance portfolio.









Sonntag, 26. Februar 2012

Metamorphosis


In the course of time letters underwent many stages of progression towards the forms currently known. Why not suggest organic origin and, in this case, amphibious derivation?

 For "Evolution of Type, Exhibit 17 and 19" I fell back on my earlier print "Evolution of Type, Fig. 1-6", where I charted up the idea of a "metamorphing" letter A. The goal now was to sculpture this evolutionary process in a way a museum would display it. I created several stages of letter evolution from wood, twigs, dry leaves, paper and polymer clay and cast them in clear resin blocks. The results are two "fontological" showpieces. See detailed images.







Sonntag, 8. Januar 2012

Exhibit Nr. 14


59 Ms in different fonts in total, some really small. An old wooden showcase which had to be renovated. Translating font names into Latin. Delicate hand lettering and carefully driving needles through balsa wood letters. That´s what it took for "Exhibit Nr. 14" of my ongoing project "Evolution of Type". In this project I suggest letters to be of organic origin. In this anthropological approach collecting, classifying and displaying letters like insects similar to biological taxonomy brings the physical letter back on the table - a letter that has already dispersed into digital anonymity.

There is a wonderful article about my work on Meghan Killeen´s Cool Hunting blog:
http://www.coolhunting.com/design/andreas-scheiger.php






Sonntag, 1. Januar 2012

Albino "Z"


Present for a friend and a premiere in white: A remake of the original Exhibit Nr. 2. Friends asked me to craft colored letters for a change but I think that a letter´s "natural color" is black. Inverting black into white might be justified but I still think this is a derivative.

Dienstag, 22. November 2011

Amber



Amber - nature´s most spectacular way to preserve its ancient creatures for millions of years. Insects or plants get caught on the sticky surface of fresh resin and are fully inclosed by additional flow. After millions of years of hardening, the resin becomes amber containing a perfectly intact inclusion. If letters were of organic origin they might have been trapped in tree resin too. During the age of digital print processing the letterpress letter became extinct - but we still can marvel at its amber inclusion.






Exhibit 16/1-9 of my project series "Evolution of Type" is my first experiment with polyester glass casting resin. It´s a sticky business and the form is half the win. I cut some letters, then covered a stone in plasticine, took the stone out and used the plasticine as a mold. Working with polyester glass resin is tricky when it comes to coloring, timing and calculating the amount of hardener. Since the liquid resin is a yellowish substance - which gets clear while hardening - it is hard to estimate how much color to mix in. While adding more hardener speeds up the hardening process this heats up the casting block considerably which in turn might result in a cracked piece. I guess everyone working with this material had to learn some lesson. I deliberately included some air bubbles, bread crumbs and pepper in the liquid resin to make it look like natural amber. Check out the whole project on http://www.behance.net/andreasscheiger

Mittwoch, 16. November 2011

CR and GD





Two friends asked me to craft a present for their respective wedding anniversary. I simply combined the initials of the couples´given names while trying to maintain the character of one single letter.

4 pages in Zeixs


Proudly announcing my inclusion in Zeixs´ popular cube book series "New Typography 2". A great showcase of experimental typography by great graphic designers you might have stumbled upon in the net. Get the book here.

Sonntag, 15. Mai 2011

Making of Exhibits 10, 11 & 13






Once again I forgot to shoot more Making Ofs. Since I work on objects simultaneously I am just too caught up in the process. The "E" made of veins gave me the hardest time ever! The veins broke, they bent, they did not attach - they were unforgiving. The final version was the third try. I never had to throw away 2 failures before. Check out the completed project on: http://www.behance.net/andreasscheiger

Dienstag, 19. April 2011

Hot Off the Press


"Die Presse", one of Austria´s leading newspapers, features 3 of my works in their "Schaufenster Edition 2011". Each year "Die Presse" portrays a small selection of upcoming Austrian artists. On 14th of April the edition was presented to the audience at Lisabird´s Art Collective. What a party! In addition "Die Presse" offers limited edition art prints signed and numbered by the artists. Get your wonderful print here >

Mittwoch, 9. März 2011

The evolution starts here


For the sake of completeness: The first step of creating a letter for my series "Evolution of Type" is the most joyful one. The exposure of the skeleton. Mmmh...